Those of you who follow Marvel Chief Creative Officer, Joe Quesada on twitter may have seen his occasional “Building The Cover” sessions in which he explains the entire process of creating his astounding cover images. He posted a special one from New York Comic Con last night and I thought that it was interesting enough to share here. Just so we’re clear, this is not our work or associated with us in any way. The intention here is simply to compile together Joe’s tweets on the subject for easy reading. Enjoy.
“First step was to work up a few thumbnails. Here’s a thumbnail template I made just for such an occasion”“These initial thumbnails were drawn in Sketchbook Pro. The absolute best pencil sketching program on the market”“I was immediately partial to the center image, but decided to make life difficult and make it a wraparound cover…Once again, in Sketchbook, I used their mirror function in order to get a nice symmetrical framework”
“For those wondering, I’m drawing all of this digitally on my Cintiq using their stock pen tip and working in Sketchbook Pro at the moment…I switched over to Manga Studio EX 4 and start to lay in a perspective grid for possible buildings”
“In the middle of working on this cover I see Joe Mad’s AMAZING cover for the book, he has Hulk and Wolvie on it so I abandon the idea…No longer in mirror mode, I now start to rework Spidey’s arms and hands so that they’re different and have a much more naturalistic feel…And also back in Sketchbook, notice the digital pencils are getting tighter”
“For those unfamiliar with this kind of stuff, the X’s on the board indicate to the inker that that area needs to be a solid black…I rarely use x’s, but this cover had so much black and shadows that it would have been a gray mess if i had actually filled that stuff in…And, this afternoon I just got the final inks from the brilliant Danny Miki TAA-DAA!”