Moon 3 Page 1 Pencils…. Evil Wears a Furry Face

Moon 3.1.1

So, it’s that time again. The third instalment of Moon is beginning to hove into view. With it is the introduction of a very special kind of evil. Revealed briefly in Moon 2, BunBun Warmheart is a villain that had everything going for him. Now his crimes against humanity mean not even his cute little face can get him off. Our hero, Moon and Shades will be facing this little bleeder directly. What will they find out? What will they glean from this little furry bastard?

This is very much the start of the first story arc for Moon. The introduction is over – now it’s all about the investigation! Moon and his new partner, Shades Rodriguez are about to start dog paddling in dangerous waters, and there be sharks there. Heavily armed, laser guided, furry faced sharks that want to bite their legs off. With guns. And things. Threats will come from directions you’d never expect. You have been warned.

Evil is back. And it’s sitting on a raised chair in an interrogation room at the heart of the Agency.

DAH-DAH-DAAAAAAAAAH!

Moon 3.1

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Moon #1 & #2 Available for Mail Order NOW!

Moon Cover mark up
Moon 2 Cover 3

Looking to catch up on the adventures of Moon but couldn’t come to the Moon Launch? Don’t want to wait until the next con to get your hands on the new issue? Have a friend who likes amazing comics about sharp dressed astral bodies? Well you’re in luck because you can now mail order copies of both Moon #1 and #2 and have them delivered direct to your door anywhere in the world!

Just head to our new comicsy shop and place your order. We’ll handle the rest!

Order before the 18th of December to ensure delivery by Christmas.

Click here or use the shop link in the top menu!

Practitioners 8: Chris Weston

As a catch up for all new visitors to Beyond the Bunker, we’ll be representing the original Practitioners series 1-55 (Simon BisleyChris Bachalo and featuring the most influential comic creatives in history). Thoroughly incomplete but featuring legends like Stan Lee, Jack Kirby, Frank Miller and Alan Moore already more will be hitting the site every two alternate weeks. For now though, sit back every Tuesday for a run-down of the men and women who created the comic industry we know today. (Or check the full list in the menus above). This week: British Genius, Master Draftsman and flag bearer of old and more traditional comic book art, Chris Weston.

Chris Weston – one of the more understated and unreknowned master draftsmen of English comics – was born in January 1969 in Rintein, Germany and lived in various countries as a child. Things changed for him in 1987 when he came to be apprenticed for a year under Don Lawrence, one of the first generation of UK comic book artists and reknowned for meticulously detailed work that is said to have inspired Brian Bolland and Dave Gibbons. Under Don Lawrence’s tutelage Weston gained an insight into the skills that would make him a quiet mainstay of the UK comics scene securing himself a position on the high beam of Judge Dredd under John Wagner in ‘ A Night at the Circus’ in 1988. His arrival in the British comic circuit was complete.

An assured, meticulous and precise artist he appears at first glance a draftsman before he can be considered an artist. The clarity and realism of his images denoting a controlled and technical skill in advance of most other people in his field. However, perhaps more so than his two counterparts – Bolland and Gibbons – Weston has a wry humour that spills out of his panels and a fierce and aggressive imagination that is enhanced by his realism and precision. As a result he has managed to keep up with some of the sharpest and most consistently abstract minds in the medium.

Predominantly working within DC, Wildstorm and DC Thompson titles he has crossed the atlantic several times to team up with Mark Millar on Swamp Thing, brought the hyper-abstract to life acceptable to the Human eye with on the critically acclaimed The Invisibles with Grant Morrison. His ability to imbed real human feeling to the exceptional has since seen him tackling the most popular fringe titles be published in Starman (DC), JSA (DC), Lucifer (DC) and The Authority (Wildstorm) – in which he had the chance to kill the Pope with a train carriage, consume Manhattan Island in a Super-Tsunami and send a gay pseudo Super-man to the centre of the Earth.

The Filth with Grant Morrison and Gary Erskine (2003)

Arguably, one of his greatest works was when reunited with Grant Morrison on The Filth, a 13 Issue Limited Series inked by his regular inker Gary Erskine. Within the run Weston brought to life Human Size Super-sperms rampaging on the streets of San Francisco, super intelligent scuba dolphins, landscapes made of porn and Human skin, a microcosm super Earth, pseudo maniacal Filth uniforms, vehicles and architecture including a precise and beautifully well realised Gilbert and George running things behind closed doors.

Panel after panel of awe inspiring back drops and mindblowing lunatic spectacle that few artists have managed to create. The intention of The Filth was its blending of both real world and super-states that most Super-hero or other comic books aim to create and illustrate the inner mind of Morrison something only the most adept of artists could begin to cope with. It attacks the idea and it is hard to imagine any other artist who could draw you in to the protagonist injecting his cat, pained at causing it discomfort in a non-descript and run down semi detached somewhere in South London and a Super Intelligent Chimp taking pot shots at the President of the United States – now with bitch tits – on the deck of an enormous city-ship the size of thirty city blocks (a scale he realises in one of the most impressive double page spreads in comic book history in which the aforementioned super-ship is docked in Venice – all decks accounted for and surrounded by the city itself, helicopters and boats and ships.

It is in this that Weston illustrates beautifully the disparity between the work of the artist and work of the writer. While Morrison is highly detailed in his descriptions with Weston if you say ‘a building in the background’ you will get a building correct for its geography and setting, period and price and you’ll get it with every brick visible. Weston rests his feet firmly in both fields of draftsmanship and illustration. Realising ideas most artists would struggle with for page after page within a single panel, succinctly, incredibly accurately and always entertainingly. Absurdity and reality as bedfellows in the mind of a true artist.

A scene from The Filth (2003)

10 Mistakes Made by Amateur Letterers

Nate Piekos knows a thing or two about lettering comics. Not only is he the creator of Blambot Comic Fonts but he’s also lettered books for the likes of for Dark Horse, Marvel, etc and created a fair few comics of his own. Recently Nate posted this handy guide to common mistakes made by amateur letterers. Since it’s a skill that many of us in the indy comics scene are trying to perfect, I thought I’d throw it up here. All credit for this work goes to Nate and I strongly suggest you check out the rest of his work to see these examples in action.

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A New Unseen Shadows Comic From Dan Thompson

Those of you who follow us week in and week out will already know that we had a really nice time at Demoncon last Sunday. The part that we didn’t mention at the time was that I had a meeting with Barry Nugent while we were setting up. Barry approached me a few months back with regards to maybe doing another Unseen Shadows comic for the second US anthology, “Tales of the Forgotten” and obviously I said yes because I’d had such a blast working on Band of Butchers last year. I finished the script a couple of months back but we’ve been keeping it quiet while we search for an art team to make the book a reality and that’s where chap called Peter Mason comes in.

Peter is currently in the process of drawing the second book in Cy Dethan’s outstanding Cancertown series and had gotten talking to Barry during the opening stages of the convention. He showed Barry some of his portfolio, Barry passed it on to me and both of us were utterly blown away by the kinetic energy and sheer quality of his work. Long story short, we pretty much offered him the job on the spot, he said yes and just like that, we have a new comic in the works!

The book is called “Ashfall” and it’s a one shot comic about a veteran paranormal investigator called Nathan Ash. Nathan is the mentor to Unseen Shadows poster boy, Napoleon Stone and features heavily in Barry’s best selling novel “Fallen Heroes.” In this story we’re going to be exploring the relationship between the two men, as well as creating a kick ass adventure story which you can enjoy whether you’ve read the novel or not.

I don’t have a release date for the book yet but I’ll keep you updated on any major developments. You can also follow the project over at the Unseen Shadows Website.

Now why not enjoy some of Peter’s incredible character sketches for the book?

 

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