To the cover!! Is this what we’re going with? Hm. Hard to say. Iv will kill me if I come up with another idea. We are now on what should hopefully be the final week (isn) of preparation for issue 2. There’s a lot of lettering going on, a lot of colouring, a lot of collecting material together to combine it all together in a fine visual delight that will be the second issue of Moon.
Good god it’s been a long time on this one but we are finally moving all the tiny meticulous little pieces ever closer together. There are plans to make up for the considerable wait that everyone has suffered. Never again, please god, never again!!
Fun is close!!
Chaos is beginning to break out all over the pages of Moon 2. Not entirely sure how as initially the script for the second issue was looking clever, funny and a little sombre at times – but what wasn’t picked up was the potential for complete lunacy to break out.
Dan Thompson is a smart, witty and uncanny writer with a real sense for a one liner – something that perhaps hasn’t been as obvious since our main character doesn’t have a mouth. But it’s all there in Issue 2, more so than in Issue 1 as the fallout continues from the explosive first part!!
We can promise a certain number of things and two in particular; a lot of bullet cartridges in part one, with the potential for an explosion or two and a lot of rain in the second half. A lot. The rain has become something of a matter of pride for myself and our colourist Ivanna Matilla. Dan insists the introduction of every foreground rain drop – in detail – was in the subtext (something I’d have to agree with) but the astounding thing is the way Iv has dealt with the scale of the job. Every single raindrop has been recoloured – o astonishing effect and the tone and pitch of the English weather’d make you think Iv was born in Greenwich.
But the big reveal is still unrevealed – namely the killer of Counsellor Hugh Griffiths, now loose and wild on the streets of London town. New meaning to words ‘Baby on Board’.
This week a look at the background work going on on Moon 2. There is a considerable amount of back and forth between the art department (read: Myself and Ivanna Matilla) about how to approach each scene with possible outcomes having to be balanced between what the story asks for, what we’re trying to achieve and bottom line; what looks cool. Continuing the palette from Moon 1 of course but the situation has worsened considerably for our adventurers. How do you colour that.
Iv is an incredibly reactive and quick colourist and rather than stooping to conquer, she stoops to colour and we’re eternally grateful for her input on this project. She certainly keeps me on my toes to the point where to question anything she does feels highly presumptive and frankly stepping above my station. Not because of her of course. She’s an upbeat delight. However, her sheer talent is enough to keep us on our toes.
The marking hasn’t gone on this one though. Any doubt is swiftly queried with the sure hand of a teacher (as you’d expect from Iv as an English teacher just outside Buenos Aires). On my Iphone, I keep the digital clocks for Buenos Aires and Cape Town (to keep track of things when I’m working with Fallen Heroes / Tales of the Fallen colourist Gat Melvyn) and although Buenos Aires is two hours behind, Ivanna Matilla is years ahead of the rest of us.
A genuine pleasure to work with.
Fallen Heroes 2 has been completed is currently going to print. The hope is that it will be resting alongside the larger Unseen Shadows graphic novel at Thoughtbubble but we cannot confirm that at this stage as the book is so close to the date in question. We have no doubt that Stu at Ukomics is doing everything he can to make sure visitors at Leeds get to have a look at the new edition.
Featuring Ben ‘The Hand’ Ashodi and Stephanie Connisbee from the previous issue (and the Tales of the Fallen Graphic novel) as well as introducing some pivotal characters and developments to the FH canon, it’s been put together by Barry Nugent (writer of the original novel and general demagogue), Martin Conaghan (writer and calm voice of reason), Steve Penfold (me, on pencils and inks), Gat Melvyn (colours, seamlessly professional) and Paul Mclaren (lettering and diligent communicator).