BTB Awards: Best Film

Winner – Senna

ts limited release will mean that Asif Kapadia’s documentary about the life and death of Ayrton Senna is unlikely to be topping may film of the year polls and at face value that seems sensible. A feature length documentary about the career of a Formula One driver who died nearly 20 years ago doesn’t exactly scream ‘mass appeal’ but nonetheless Senna is easily one of the most remarkable films of the year.
Utilising only archive footage and Voice-over, Kapadia creates a narrative which manages to be stronger and more engaging than most dramas. The decision not to include any talking heads segments means that the film feels more like a story being told first hand than a reflection on past events and the in-car footage (which looks mind blowing on a cinema screen) enhances this even further.
While the insights into the notoriously secretive world of F1 will be a treat for racing fans, the film’s greatest strength is its ability to appeal to people who don’t have the first idea about the sport. More than anything else Senna is a heart stopping, tear inducing story about an utterly unique individual. Whether you spend weekends pouring over lap times or you’re someone who thinks pole position is a thing that strippers do, there is a tonne of things to love about this film and you will be doing yourself a genuine disservice if you don’t seek out the DVD.

Runner up – Drive

For the runner up we go from a real life man in a car who is unable to stop to a fictional man in a car with no choice but to go on. The stylish, neon lit, meticulously shot Drive follows the story of Ryan Gosling’s driver as he makes ends meet on the streets of Hollywood – beautifully captured in various skyline, helicopter and stylistically careful ground shots creating a fantastical, idealistic and visceral stage for the action to take place on. In many ways the cinematography is the story as the central character – known only as Driver – enters into a tentative and touching relationship with his neighbour Irene (a flawlessly American accented Carey Mulligan) and her young son, who’s husband is incarcerated. Lingering silences and long, unbroken takes give the scenes involving these characters an assured intimacy that lingers with the viewer and plays realistically.

This is punctuated by acts of unspeakable violence, some of which admittedly come close to destabilising the careful balance that Director Nicolas Winding Refn appears to be looking for. The film could have played out as successfully as a 15 certificate on first viewing making the violence seem gratuitous and unecessary, however, I suspect that on repeat viewings the brutality and ludicrous violence will permeate more strongly and be powerful reminders of a thoughtful and energised movie and certainly a step up into the big time for both Winding Refn and Gosling.

The involvement of Simpsons regular Albert Brooks as deceptively chipper gang boss Bernie Rose and Ron Perlman has his apparently more savage and sweary partner Nino doesn’t hurt either.

Effectively Tarantino-lite, this is much less cartoonish, stylised and self consciously scripted. It also seems, accidentally or not, to be lifting directly from the GTA game series – with the theme and the look harking back to both Liberty and Vice City. This only adds to the fun in this subtle shocker.

Best remake / prequel – The Thing (2011)

To the arctic circle now for the prequel to John Carpenter’s 1982 masterpiece, The Thing. More than anything else it’s the choice to set the scene back in 1982 rather than reboot that has placed this film so high in our rankings. Following very much the same line as the original, it centres on the events leading up to the beginning of the first film in which two members of a Norwegian science team our found by an American research group.

The new film manages to mimic perfectly the light touch and claustrophobic lighting and setting, even going so far as to almost directly lifting moments from the original. But this is because the creature is doing what it did in the first place. The joy is in it’s appearance. The plot even deliberately curves at anticipated plot moments to both acknowledge and defy the original.

While it loses some of its appeal as the scale increases towards the end of the film, revealing perhaps a little too much of the origin this film scores highly for introducing a realistic female lead in Mary Elizabeth Winstead and tip toeing the line perfectly between homage and producing an original piece of cinema.

Best foreign language – Troll Hunter (2011)

Made off putting by the idiotic UK Trailer (below) this film by André Øvredal and Håvard S. Johansen (supporting writer) follows a group of hapless students in search of a hunter deemed illegal by fellow bear hunters. Determined to uncover who he is for the sake of an interesting film, they uncover a wide government cover up beyond anything they could anticipate.

Essentially, a Blair Witch Project that pays off the film manages to lull you into simply watching the ‘found footage’ of the students, constantly having to remind yourself that things are going to increase in scale exponentially at some point. And increase they do. However, the film maintains its roots until it’s finale on snowy Nordic tundra, maintaining a calm and careful pace that US blockbusters will never master.

The Norwegian mountains and countryside are really the great treat of the film at times (when there’s no monsters to hunt) as, for instance in one short sequence, sheer mountainsides and a glacial lake are filmed out of a car window as one of the students calls to another taking a whizz as nonchalantly as Sam Mendes filmed a brick wall with a plastic bag floating around in front of it. It becomes clear that what the world finds magnificent, Norwegians can take for granted and that the filmmakers are acutely aware that half their work is done merely filming on location in their beautiful country.

But it’s the monsters themselves that take centre stage. The decisions in the way that each is introduced is masterful, each uniquely different in pacing, reveal and environment. One is viewed finally from a great distance through a window of a shack which serves only to increase its impressiveness. With an enigmatic, monosyllabic central Troll Hunter, grimly wandering into harms way on behalf of the Norwegian government with the hapless batch of determined and stunned students along for the ride, it’s spectacular, engrossing and fun.

A stark change in tone in the middle of the film does threaten to scupper it slightly but the even pacing and anticipation of the unknown final Troll at the heart of the problem keeps things moving to impressive effect. They will try to remake it. I’m sure they’ll fail. Take the Norwegian out of Norway and it’s knackered.

Best Comic Book Movie: X-Men: First Class

In a year in which at least three highly entertaining and thoroughly exciting comic book adaptations were released it was the one not made by Marvel that edged it for us – however marginally. It was the X-Men that clinched the title.

Easily the strongest of the X-Men films, Matthew Vaughn and Jane Goldman along with woefully under acknowledged screenwriters Ashley Miller and Zack Stentz brought the X-Men back to the 20th Century. Like Captain America, Vaughn and Goldman (the creative team behind Stardust and Kick-ass) the decision was taken to go to the roots of the title, seeing the original X-Men line-up changed to deal with those already revealed. Only, instead of merely laying comic book events over historical ones, Vaughn and Goldman interlace them directly with historical events.

We find an arrogant and slightly unlikable Professor Francis Xavier (played by James McAvoy) in the swinging sixties looking to extend his theory of evolution on to any girl with a discoloured eye or wonky toe. It’s clear that the X-Men are born from Xavier’s arrogance and it fills beautifully an absent detail in the inception of the X-Men. Brought into it is Erik Lenseherr (Michael Fassbender) who is hunting Jew killers and Nazi conspiritors around the world. Thinking that control of his power is fuelled only by anger and fury it makes Lenseherr – soon to become Magneto – a more well rounded character, as a cyclical psychology has formed in which Lensherr has to generate these feelings to tap into his power, only further perpetuating his anger and violent behaviour. All of the characters carry inherent (and human flaws) that make them accessible and offer a tone of inevitable doom to the proceedings.

Well realised set piece after well realised set piece is laced through the plot as the X-Men are pulled into conflict between both the Russian and US Navy during the Cuban Missile Crisis in a bid to avert Nuclear War. Something that could easily have been a cynical plot device is so neatly realised that it makes sense (and, winningly, illustrates the absurd nature of the Cold War in a language understandable to younger audiences).

So close in fact were the runners up for Best Comic Adaptation that featured below are the trailers for both Thor and Captain America. We thoroughly recommend both and can’t wait for the Avengers movie next year….

Runner-up – Thor

While pipped at the post by First Class, Thor was overwhelmingly the surprise of the year, guided effortlessly to be an entertaining romp by Royal Shakespeare Company founder, Kenneth Branagh, offering up laughs, pathos, energy and a star turn by Chris Hemsworth as the titular character. Tom Hiddleston as his half-brother Loki stood out only slightly among a frankly incredible cast featuring Natalie Portman, Anthony Hopkins, Idris Elba and Stellan Skarsgard (most likely drawn in particular to Branagh’s banner).

Thor tips the balance beautifully between fish-out-of-water comedy, fantasy epic and Superhero movie. Marvel’s incredible run of success to the Avenger’s movie next year seems to be unstoppable and Thor, as a potential tripping point has proven a nice surprise as a watchable, stand alone movie.

Runner-up – Captain America: The First Avenger

After being deemed unfit for Miltary service, Steve Rogers volunteers fora top secret research project that turns him into Captain America. We all know the story, however old school Director Joe Johnston achieved the implausible and made Captain America cool again. Borrowing heavily from Mark Millar’s Ultimates (effectively, in hindsight, a love letter to Hollywood and a considered development of the Avengers brand to become more audience friendly outside of comics) Cap still retains most of his gosh, shucks charm.

The decision to set the entire film in World War 2 is a bold and clever move, giving the audience credit where there may have been none with a more cynical film company. Featuring Hugo Weaving as arch Nemesis, the Red Skull, Stanley Tucci as Cap’s creator Dr. Abraham Erskine, Toby Jones as Dr Arnim Zola and Tommy Lee Jones as Colonel Chester Philips it has a touch of class as well as being a crowd pleasing actioner. It also has the best villain diversionary tactic gag in comic book history as a Nazi assassin (Richard Armitage) escapes across the docks from the newly created Cap, he grabs a young boy and throws him in the dock. Cap, stopping to help the boy in time honoured fashion is greeted with the sight of the boy paddling away, shouting ‘Go! It’s okay. I can Swim.’ A wry sensibility that runs through the whole film.

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Kapow Diary 2: What we didn’t see…

Inevitably as an exhibitioner, even one doing the wander around – you miss things inevitably and there was a hell of line up over the course of the weekend. The day was high end and everyone involved (from IGN, Millarworld, Clint and the Business Design Centre) – had pulled out all the stops. Behind us was Markosia, run by Harry Markos. Markosia is effectively the mainstay of the independent comic book scene. I’d been lucky enough to meet up with Harry once before. We didn’t realise he was behind us until half way through the first day. I arrived at the 2000AD stand too late for a portfolio review because I hadn’t had a chance to find out where it was. The way to define a convention is not just by what you see but what you miss. Turns out, after a little scraping away it becomes clear there were some genuine diamonds just out of sight (if heavily sign posted).

Of course, Mark Millar was present but was effectively operating on an entirely different level to the rest of the place. Like a machiavellian god with Postman Pat hair he was only spotted by us once throughout the entire event. News I had back however was that he was friendly, cordial and helpful about the place. Millar is on a pedestal in an industry populated by people who are often happier being ashamed of themselves and both myself and Dan, when presented with an opportunity to meet him – didn’t want to bother him – advice I could’ve given myself earlier in the day (more on that in another blog). It was inevitable that Millar was going to take some flak across the bows for having the gall to elevate comic books above the level it has been stuck at over the last ten years. Regardless of his intentions or reasons, Kapow was a massive success with things popping out of woodwork all over the joint if you were looking.

Jonathan Ross reportedly nailed a show over on one side of the room while Quitely and Leinil Yu quietly began the proceedings on the Guiness World Record attempt to involve the most people in a single comic book in one day on the opposite side, down by the IGN stand (something I managed to be involved in). The sheer scale of what was taking place was enormous. Chris Hemsworth was in the building at some point for the Thor launch and there was talk of a mystery movie – which clearly was so unimpressive that we still don’t know what it was. Highlighted as Movie X, myself and Dan distracted ourselves from the replaying Batman/ Green Lantern game promos playing repeatedly in front of us by taking guesses as to what it’d be about.

X-Men: First Class? Matthew Vaughn and Jane Goldman (Jonathan Ross’ wife) have close connections with Millar following Kick Ass last year. Thor? Chris Hemsworth in place you’d think they wouldn’t bother flying him over for that one if they could preview the film. Kick Ass 2 was suggested at one point though the liklihood that messrs Vaughn and Goldman knocked out a major sequel quietly with no PR or evidence of production seemed a little far fetched. Things turned again when it was revealed (by a bloke somewhere) that it was an 18 and involved a guy in cape. At that point we gave up. If anybody’d taken a look at the Kapowcomiccon site it clearly said there was preview footage of Hobo with a Gun. Starring Rutger Hauer as the aforementioned hobo it looks like a breakneck ‘Braindead’/ ‘Bad Taste’ mash up. Someone even lets ol’ Rutger do a little ‘burning off the orion belt’ ad libbing while staring at a baby. Nobody expected this? This looks like a great movie! Why don’t they just call it Rutger Hauer is a vengeful tramp! You wouldf have had to have chained me to something to stop me from kicking the doors down to see it!

But there was bigger news in that the Green Lantern movie looks like its back on track. 8 minutes were played of the film – in excess of the 4 available online and everyone was turned as a result. CG more intact, tone a little heavier and more intelligent and obscure images from the original trailer resolved in the new material. This is good news as we here at the Bunker had dismissed the Green Lantern movie as a disappointer of the masses based on the previous output but right now we’ve got the focus back on. I’ll admit Geoffrey Rush as Tomar Re took me by surprise. The whole thing is

Also out there was Attack the Block’s writer and first time director Joe Cornish of Adam and Joe who was doing signings and photos at the IGN stand while I was drawing. The crowd was being ‘entertained’ by a guy who looked and sounded like he’d be happier at the X-Games than a comic convention and locked onto the idea that Spider-man 3 was shit to exactly one person’s noisy agreement. Meanwhile, pleasant man-child Joe Cornish (responsible for my favourite Radio 6 show by the way) was out of sight making geeks happy. Attack the Block is the story of hoodies battling Aliens in South London and was inspired by Joe getting mugged. The empathy of that man is astonishing. But it looks fukkin’ bo muvver! Bare Good! Check it out.

There were folks from Misfits (Iwan Rheon (Simon) and Lauren Socha (Kelly)), Merlin (Colin Morgan (Merlin)), Bradley James (Arthur), Angel Coulby (Gwen) and Katie McGrath (Morgana) as well as folks (Dakota Blue Richards (Franky), Sean Teale (Nick) and Jessica Sula (Grace)) from Skins, World Exclusive Pilot of Falling Skies and Toby Whithouse, the creator of Being Human. Games previews for Super Street Fighter IV 3D Edition, Nintendo 3DS, Lego Star Wars 3, Operation: Flashpoint and Dirt 3 from Codemasters.

Present were Mark Gatiss, Lienil Yu, John Romita Jr, Bryan Hitch, Simon Bisley (which was so last minute I couldn’t find him) Olivier Coipel (apparently), Kevin O’Neill, Paul Cornell (sporting a comedy beard for charity much to his own embarrassment), Noel Clarke, Mick McMahon, Brett Ewins, Brian Bolland, David Lloyd, Andy Diggle, Liam Sharp, Sean Philips, Adi Granov, Chris Weston and Eric Stephenson. Not one of these people I saw.

The important thing is who I did….

Practitioners 24: John Romita Jr

John Salvatore Romita Jr or JRJR (born August 17, 1956) is an American comic book artist best known for his extensive work with solely with Marvel comics from the 1970s to present day.

Born and still living in New York city, Romita Jr is influenced heavily by the city around him and that he grew up in. Fittingly he has remained at the company that calls New York home, 367 Park Avenue South or Marvel Comics throughout his professional career and his work has become synonomous with its most famous characters. He was born to John Romita Sr, co-creator of several notable Spider-man stories in the 1960s and 1970s. In true New York style it could be said that drawing Marvel comics is the family business.

Oddly Romita Jr began his career at Marvel UK, doing sketches for covers of reprints. His American debut was with a six part story entitled ‘Chaos at the Coffee Bean!’ in Amazing Spider-man Annual 11 in 1977. At this point Romita Jr’s artwork represented the time it was being produced with clean linework and animation standard (simplified) detailing. But his characterisation and simple adjustments to the panel by panel and simple visual storytelling that was taking place then won him a lot of fans. His characters weightier and more rounded than others, his line work curvaceous and bold when necessary Romita Jr’s style was bold and easily digestible. Romita Jr is a commercial artist, offering bold and brash imagery that feeds the eye more for the same price as other artists.

Romita’s early popularity began however with his run on Iron Man with David Michelinie and artist Bob Layton which began in 1978. He was eventually offered his first regular run on Spider-man in the early 80s and was the artist that launched the Dazzler series. In this period Romita Jr co created the character of the Hobgoblin with writer Roger Stern – a kind of Green Goblin light with his own good / evil morality in play, Hobgoblin represented a genuinely unrestricted and unfamiliar goblin for Spider-man to play with.

Uncanny X-Men 304

From 1983 to 1986 he had a popular run on Uncanny X-Men, introducing the future X-man Bishop in his tenure in a brutal and distinct storyline that battered the edges of what was being done in comics at the time. Romita Jr returned to Uncanny X-Men in 1993 in which he pencilled the Fathers and Son’s crossover Uncanny issue in which Prof X and Magneto collide and Magneto has his mind removed. He depicted the turning of Colossus and his joining of the Acolytes and the showdown between Xavier and his X-Men and Magneto and his Acolytes on Asteroid M in the Fathers and Sons X-over that made history with the release of X-Men 25. Romita Jr’s work was bold, reminiscent of 50s and 60s pop art and exploded from the page in a way nobody else’s did at the time.

But prior to his second stint on Uncanny X-Men Romita was granted an extended stint on Daredevil with writer Ann Nocenti and Eisner award winning inker Al Williamson. In this period he began to develop the Romita Jr style we see now. Shoulders and shape became more developed and something significant happened… Romita Jr broke the rules…

Most artists use a series of bubbles in place of parts of the body in order to decide placement, perspective and shape. The leg would be perhaps five parts (the longer larger upper leg, the smaller oval knee joint, the slightly bannister like lower leg / shin, perhaps a round joint at the ankle joint to indicate a change of angle and an uneven tear drop shape to form the foot). You can achieve this easily with every body part and build an entire Human frame using these bags. You then pencil over it, define the shape clearly and subsume it in ink – hiding your working underneath all that.

Romita Jr doesn’t. His characters are effectively the same set of shapes inflated and deflated according to the size and shape of the character. The sawn off frame of Wolverine is the same as the tall powerful frame as Colossus. The Punisher from Romita Jr’s very cool run in Punisher: War Journal is the same shape as Wolverine. Art law says this is bad practice. That by showing your working and working from such a clear template is not art. Romita Jr has made one thing clear in the nicest possible way. He simply doesn’t give a shit. And neither should he.

Romita Jr’s success is built on these parameters. The characters represent mannequins on which Romita Jr applies the feelings and the events that are taking place around them. He applies garish, squared and diametrically even surroundings that draw in the eye and hold it there. He isn’t a naturalist or a life artist, Romita Jr is a comic artist and a purist and never an apologist.

He has built an incredible career with the same company (even his other company credits are Kick Ass – printed through Marvel’s Icon Imprint, Punisher/Batman in association with Marvel as well as DC and admittedly 1 credit with the Gray Area 1-3 in 2004 with Glen Brunswick for Image Comics). He is a class act and no freelancer – he has a job with a reputable company which he is doing well and there is no reason he should stop doing it.

Rolling out Spider-man, Avengers (most recently the new Avengers series), Black Panther, Daredevil, Iron Man, Cable, Punisher, The Eternals, The Hulk, Fantastic Four, Thor, X-Men, Ultimate Vision, Wolverine, Sentry and pretty much the only thing worth picking up World War Hulk for by ingraining it with such force and mind-bending power on each that it was a joy to behold.

The fact is with Romita Jr, you can see the workings but you can also see the most basic rules of comic book art. Clean lines reminiscent of the 60s era in comic books, graphic and bold line work that still belongs on an Andy Warhol Pop art wall hanging. Romita Jr is keeping historic conventions alive and kicking in his work. If you look at his work you can still see the influence of Ditko and his dad, Romita Jr and the reason that everything we see in comic books today comes from it. I hope Romita Jr remains at Marvel for a great many years.

He’ll be attending the Kapow Comicon in London on April 9-10th and I hope to catch him there. My work isn’t much like his but frankly I think that’s because I’m not sure I’ve fully learned how to draw comics.

Kapow! Moon Joins The Walking Dead, True Blood & Kick Ass at the UK’s Hottest New Con!

BTB is extremely proud to announce that we will be bringing Moon to Kapow! Comic Con this coming April. Dubbed “London’s answer to San Diego” Kapow! is gathering a simply staggering number of big names together from the world of comics, film and TV. Misfits, Being Human, Marvel, DC, they’re all going to be there in force and standing right front and center (if not by an act of booking then an act of gravity) will be BTB’s big Moony detective!

Kapow promises to be something special. Not only do they have the big names but they’re promising major announcements from top studios, a world premier of an as-yet-undisclosed comic movie and the first ever “Stan Lee Awards“. Better yet, all you pay for the day is the cost of entry. Once you’re in then all the panels, guests and other assorted high-jinx won’t cost you a silver dime.

We’ll be there with limited edition, individually numbered and signed copies of Moon #1. We’re also working on having a few copies of Fallen Heroes #1 for sale as well (but no guarantees on that as the demand for copies is currently far in excess of the number available). If you want a copy of FH then get to us early! There’s even been a rumour that Moon himself may make an appearance in the flesh/rock!

Tickets for the event can be bought from THE KAPOW! WEBSITE and we strongly suggest that you pre-book yours as they will almost certainly all be sold out by the time the event rolls around.

We have more live dates in the pipeline that we shall be announcing soon. Bur for now, enjoy the Kapow! trailer, buy a TICKET FOR THE BTB LAUNCH PARTY and beware of hands bearing coke refills!

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Jonathan Ross gets a movie offer without writing the book!!

Horse faced television presenter Jonathan Ross has grabbed an accolade formerly only the most seasoned or lucky comic creatives enjoy. A stone cold offer to make his material into a film from one of the most powerful directors in Hollywood.

According to movie source website Deadline, Matthew Vaughn, Director of Kick Ass and currently putting the finishing touches on Marvel Cuban Missile Crisis and Professor X and Magneto Biopic X-Men: First Class is interested in a third super-hero film ‘The Golden Age.’

The comic book tells the tale of retired superheroes who are forced to don their costumes and help their grandchildren after their middle-aged parents “screw up the world”.

And Vaughn is certainly thinking massive when it comes to his cast for the film. His wish-list includes Clint Eastwood, Jack Nicholson and Warren Beatty – which frankly make it incredible to watch.

Vaughn said, “You have these great star names and they’re mainly playing supporting roles now. I want to give them the lead again and let them have some fun.”

Still it’s no massive surprise that the J Ross (television celebrity) has managed to skip the queue with his follow up to ‘Turf’ on this one as Vaughn’s regular writing partner is Jane Goldman, Jonathan’s wife. So it’s not what you know but… hey, we already knew that…

Stan Lee Awards 2011 (part 1)

Mark Millar’s been playing his Kapow cards pretty close to his chest in recent weeks in preparation for next Monday’s promised mega announcement about the convention. But at least there’s at least one bit of news that we won’t have to wait until the 14th for: the Stan Lee Award nominations are here!

The Stans are a new award, created for Kapow that are designed to celebrate mainstream comics in all their glory. While the Eisners have traditionally championed lesser known books and creators, the Stans have their sights set firmly on the mass market. Abstract comics about the plight of Spanish chair makers can be extremely good, but you won’t find them anywhere on this list. Nor indeed will you find anything by Millar himself as, being the organiser of the awards, he’s chosen to remove himself from the nominations list.

The list of people responsible for nominating attests to this mainstream quality as well. A quick scan of the publications that participated will bring up names like IGN, Empire, The News of The World (insert phone tapping joke here) and Forbidden Planet. Seth Rogan even makes an appearance to help add some star power to the list.

So we know what they are, now let’s dig into the nominations themselves:

Best Writer

Brian Michael Bendis

Robert Kirkman

Grant Morrison

Garth Ennis

We said it was a list for big names and you don’t get much bigger than some of the names here. Bendis and Morrison are pretty much Marvel and DC’s respective frontmen at the moment so you it’s a pretty good indication of where the rest of the list is going. Not that this is a bad thing, there’s a reason that these guys are big names. I think it’s a shame to see Dan Abnett and Andy Lanning missing out on a nod as their work on Marvel’s cosmic books has been superb, but I guess you can’t have all your favs there.

My heart is with Kirkman on this as I’m a massive fan of the Walking Dead, but if I were a betting man then I think the smart money would have to be on Morrison. Batman Inc may not be everyone’s cup of bat-tea but there’s no denying that his run with the character has been nothing short of monumental. Plus he killed My Chemical Romance, which is bound to score him a few votes.

I’d have to peg Bendis as an outsider in this race. Marvel’s top guy has given us some cool moments over the last twelve months but I’m hard pressed to think of anything that really lives up to the best stuff we’ve seen from him in the past. That said, he remains the king of banter and Bendis off form is still better than most writers at their best, so don’t count him out too early.

Ennis? I think he may just be a bit too indy for this award. I’d like to be proven wrong but I think you’d be taking a chance betting on the Preacher’s horse.

BTB pick for Best Writer - Grant Morrison

Best Artist

JH Williams III

Steve McNiven

Duncan Fegredo

John Romita Jr.

McNiven is flat out one of my favorite artists and his work on Old Man Logan is frankly breath-taking, however I have a feeling that Kick Ass is going to come through and win it for Romita. If it does go that way then it’ll be well deserved. Kick Ass is, to my mind, Romita’s best work and it’s a true example of a book where you honestly couldn’t imagine another artist taking it on. Old Man Logan is amazing but it’s hard to bet against a man when a character he designed is on the side of every bus in the western hemisphere.

Interestingly Fegredo’s nomination makes it two nominations for he and Jonathan Ross’s Turf, an impressive feat for a relatively small book.

Edit – Ducan Fegredo is, of course, the current artist on Hellboy and not Turf. That honour belongs to Tommy Lee Edwards. I shall now go read Ultimates 3 six times as penance for the error.

BTB Pick: Best Artist - John Romita Jr.

Best Series

The Walking Dead

Batman & Robin

Avengers

Batman Inc.

Well with two nominations in one category, you’ve got to favour Morrison here, but I have a feeling that Walking Dead may just sneak it. Batman and Robin has been fantastic this year but a lot of people are still having a little trouble buying Dick Grayson as the caped crusader and the lack of jumping on points for new readers could hurt the series chances. Add into that the fact that the awards are being decided by an online poll and you have to give the edge to the web darling that is Kirkman’s zombie-opus.

Batman Inc surprised me a little bit with its nomination here. It’s groundbreaking for sure, but it’s also pulled a lot of flak for being too similar to some of Morrison’s earlier work on X-Men and I’m surprised to see it edging out books like Secret Avengers and Invincible Iron Man.

Avengers sells a lot of books, but I suspect that most of those sales are to people who, like me, just want to stay abreast of what’s happening in the Marvel universe. It consistently pulls in the lowest ratings from critics of all the Avengers titles and, while it’s an entertaining read, I just don’t see it competing with the other nominees in this category.

BTB Pick for Best Series - The Walking Dead

Best Superhero or SciFi Movie

Scott Pilgim

Kick-Ass

Inception

Iron Man 2

I was really surprised when I looked at this list because I’d honestly forgotten just how good a year it’s been for comic book movies. I’d happily see any one of these walk off with a prize but I have a feeling that three of the contenders are going to resent the “SciFi” part of the category title. Simply put, Inception is just in a different class to its rivals here. As awesome as the other three are, Chris Nolan’s masterpiece simply outshines them. Heck it outshines pretty much every movie of any type released this year.

Again though, Internet fans can be a strange bunch and I wouldn’t put it past a hardcore contingent of Pilgrim or Kick-Ass fans to get together and pull off a coup. Not that that would be a terrible thing. Inception is set to clean house at the Oscars and has already made more money than the gdp of a small country, in the face of that it might be nice to see a true comic book movie take the prize.

 

BTB Pick for best film - Inception

Best Trade

Sweet Tooth Vol.1

Dark X-Men

Fantastic Four – Solve Everything

Blackest Night

It’s hard to see anything edging out Blackest Night in this category. Dark X-Men has a decent slice of fans but on the whole I think that Blackest Night is just too high profile to overcome. That said, Blackest Night could run into problems due the fact that it doesn’t make a whole lot of sense by itself and relies on you buying two or three other trades in order to get the whole story (seriously DC, would it kill you to just do a Messiah Complex and organize the issues by when they happen rather than by which book they happened in?) but ultimately I think it’ll take it. To be fair on Blackest Night, it’s one of the better crossovers in recent years so I think it’s fair that it pulls some recognition.

Sweet Tooth is a great book but it doesn’t have the fanbase to win a poll like this. Bet on it only if you’re feeling very lucky.

BTB Pick for Best Trade - Blackest Night

Best Limited Series or Story Arc

Batman & Robin Must Die

Avengers Prime

Dr. Strange

Brightest Day

I’ve been reading a lot of praise for Dr Strange as of late, but I really can’t see anything on this list which I’d consider a serious challenger to Batman & Robin Must Die. Morrison’s reworking of the Dynamic Duo has just been issue upon issue of solid gold and this arc is no exception.

Brightest Day does have its moments and I wouldn’t put it past a few hardcore fans to try and throw a spanner into the works here, but ultimately I think the title’s just been a bit too hit and miss. Let’s face it, 52 it ain’t.

BTB Pick for Best Story Arc - Batman & Robin Must Die

That’s all for today. Pop back tomorrow for the rest of the list and more hot tips from your chums in the Bunker.

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