Lost Jedi: The Clawing Legion

Based on characters and actors from the Star Wars Exhibition in London in 2007, the Lost Jedi is an epic tale featuring unknown Jedi and Imperialist forces as well as some well known faces (Darth Sidious, Vader and Jedi Master Yoda are all featured in the collection). Collected here are the developed character designs and intended basic plot lines for the Lost Jedi. The Lost Jedi is a non-profit fan project based on Star Wars.

The first specialist, non-clone forces chosen to wear Imperial armour, each is handed an entire unit of specialist Clone Troopers and sent out into the galaxy to locate and destroy any remaining pockets of resistance – and specifically, Jedi. Specialists in various fields they are each chosen on the merit (or demerit) of their past. With nothing to lose – facing death sentences in each of their respective systems – this is their final reprieve. Do or die. Between them they are responsible for more than 12 Jedi kills during the course of the Lost Jedi. However, not without enormous losses, including their own lives. Only one member of Clawing Legion makes it to the Barren Moon for the final showdown. But which?

Trooper Schemi Ikel

Commander Tee Ald

Trooper Wes Nadir

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Star Wars IV: A New Hope : How it all Started

Hard to know what was going into George Lucas’ head when the Star Wars trailer went out in Cinema Screens throughout the US. In the time it had taken him to create Star Wars Pinewood studios employees had been openly laughing at the the weird menagerie of creatures parading between the sound stages. A young director with a decent success under his belt, Lucas was dealing with dissent and boredom from his actors, most prominently the seasoned actor Alec Guinness. If you credit Lucas with nothing else it has to be vision and tenacity as he stuck resolutely to his lasers. Luck is in there somewhere but in 1977 something kicked off in cinemas throughout the world that literally changed the shape of popular culture for the remaining final fifth of the Twentieth Century.

Introducing in the first three minutes, characters that would become cultural icons, Darth Vader (voted No.1 Villain of all time in an Empire poll), C-3PO, R2-D2 (later to get their own series) and Princess Leia. The assured nature of what new audiences saw on that screen was due to Lucas’ faultless vision and willingness to experiment.

On a reportedly shoe string budget of (equivilent) $1 Million (a pittance for a sprawling space saga) for special effects some of the effects footage was filmed using a truck, firecrackers and a moving truck.

Produced with a budget of $11 million and released on May 25, 1977, the film went on to earn $460 million in the United States and $337 million overseas, surpassing Jaws as the highest-grossing film of all time at the time. Among the many awards the film received, it gained ten Academy Award nominations, winning six; the nominations included Best Supporting Actor for Alec Guinness and Best Picture. Lucas has re-released the film on several occasions, sometimes with significant changes; the most notable versions are the 1997 Special Edition and the 2004 DVD release, which have modified computer-generated effects, altered dialogue, and added scenes. As if you didn’t know that already.

But more than that – it has become part of a tiny canon of cultural flagships – markers of culture throughout history – culturally equivalent (at least thus far though history’ll tell) as the Odyssey, Macbeth and (incredibly) with the effect of a religious text. If you are in doubt attend the same conventions I do and keep your eyes open for Stormtroopers.

What was presented to an excited public was this and still to this day, those who attended the premier screenings across the US, UK and ultimately the globe still talk about the awe inspiring moment the star destroyer flew overhead. From that moment on, with hindsight, it seems obvious now that Star Wars was a revolution that would spawn a million more stories and an entire universe of possibilities for a multitude of fans.

George Lucas; we salute you.

A long time ago, in a Galaxy far, far away….: BTB enters the Star Wars Universe!!

Welcome to the new Beyond the Bunker Star Wars zone. Every Wednesday there will be something from the enormously expansive Star Wars Universe. Be it from the core films I-III or the classic IV-VI, the expanded universe – Clone Wars, Droids, Ewoks – even the Holiday Special if we can find it. And the funnies too.

Interspersed among the existing material will be my little fanboy creation. The Lost Jedi was a title I developed in a fanboy fever while serving as a Jedi/Rebel Trooper at the Star Wars Exhibition in London. Working with a host of exceptional actors, performers, fight trainers and technicians we performed 8 or more Jedi Schools in the central chamber of County Hall, Westminster, in the heart of London. Still the greatest job I’ve ever done – I spent the day training younglings to fight like a Jedi, die like a Rebel Trooper. In my time there, surrounded by the sights and sounds of Lucas and John Williams it was difficult not to be completely overwhelmed by it all.

In a central chamber lay the shining corvette, spitfiresque frame of a Naboo Fighter. To the side of that Wookee costumes and a speeder like that which was ridden by the Skywalkers on Endor. In a darkened room at the back of the exhibition stood a solitary figure. A 7 foot tall goliath in a glass cage. Darth Vader’s suit loomed in the darkness and captured everyone’s imagination that entered. There was never noise in that room, only an eerie and awed hush as tourists stood and basked in a character that is now utterly synonomous with evil and tragedy. And cool.

Expanding so much further beyond mere cinema, Star Wars is an ideology nowadays. A universe that has influenced popular and scientific culture. Star Wars, perhaps more than any other cultural phenomenon of the late twentieth century has the capacity to move into historical lore and take a place in mythology. At its most challenging and insistent, the material developed by the films (even with the less impressive prequels) the cultural and ideological impact of Star Wars gives us insight into the breeding of myths of Gods and Monsters from ancient times. A modern day Odyssey perhaps, it shows us the way religious texts expand and are embraced, whether originally intended by their creators or not. If anything it shows how once a cultural phenomenon is formed it can be expanded upon and used to generate enormous monies for the creator.

Naboo N1-Fighter, parked in landing bay 1, Westminster, 2007

Offering ideologies, an alternative global religion (?!), expansion in gaming, cinema and digital technologies – both in sound and light (and magic), universal themes and characters and having been embraced by effectively billions globally noone should underestimate the width of influence a Dark Lord of the Sith might have.

Jedis unite. For Star Wars has arrived on Beyond the Bunker. Featuring articles, fan films, reviews and the Lost Jedi fan material we are planning to fill the next six months with insight and delight associated with the Star Wars Universe. I’ve got a bad feeling about this….

Next Week: The Lost Jedi. Part One.