Thor: The Dark World: A Beyond the Bunker review

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BTB Reviews Movie

Marvel’s got a hell of a challenge ahead of it, particularly with Thor. With Robert Downey Jr hanging up his french waiter moustache and goatee until Avengers: Age of Ultron, the weight of convincing crowds that Marvel has what it takes to make us deal out the dosh to see Captain America: Winter Soldier, Ant Man and Guardians of the Galaxy before the next team building exercise and universe bending threat to humanity falls on the not insignificany shoulders of the God of Thunder himself, this time directed by Game of Thrones' and first time blockbuster movie director; Alan Taylor.

Of the three (four) big hitters in the Avengers, Thor's films are by far the broadest in setting and effectively most responsible for setting the outer limits of the Marvel Universe, presenting a massive challenge. It was the villain of Thor (Tom Hiddleston's Loki) that represented the threat in the showcase movie Avengers (we don't call it Avengers Assemble here) after all – so while Thor is the least profitable (by a small margin) and arguably the slightest of the original three movie franchises that lead to Avengers in spite of capable direction from Shakespearite Kenneth Branagh – it carries with it the burden of being potentially the most influential. This film is no different, with Iron Man 3 resolving Tony Stark's story arc until the new Avengers film and the trailer for Captain America making it clear that it's focus is one of internal conflict and very human warfare, the onus is on Thor to kick the excitement for Avengers: Age of Ultron up a notch. This it does with absolute aplomb, a wry sense of humour and a sense of it’s audience rarely seen in an established franchise.

We find a cast very much changed by the events of Avengers, some of which finally have the opportunity to be developed more effectively with a plot that deals much more with the nine realms of which Earth (Midgard) and Thor's home (Asgard) are only two. Most improved are the formerly peripheral and comic book mainstays otherwise known as the Warriors Three (Hogun, Fandral and a slightly less voluminous Volstagg) and Thor's female interest in Asgard, Sif. Though Tadanobu Asano's Hogun is out pretty early on. The film pauses deliberately to present these characters a little better, Volstagg now better realised by the brilliant Ray Stevenson (Rome, Punisher: War Zone) and Zachary Levi as dashing Fandral stirs memories of old Robin Hood movies. Sif's clear love for Thor as a subplot is an interesting and welcome development in Sif's character, though she is used sparingly in action sequences and the first to be removed from the equation when the action begins to heat up, something regrettable as Jaimie Alexander is such a capable actress, Sif an interesting character and both are such bona fide hotties.

Rene Russo's Frigga, as Thor's mother takes a more prominent role in proceedings as well, as the influence she has over her husband Odin (Anthony Hopkins), her real son, Thor and step son, Loki (Tom Hiddleston) is the linking subplot that allows three warring characters to find any common ground.

But, hilariously, it's the master stroke of Stellan Skarsgård's Dr. Erik Selvig and his burgeoning mental illness that wins the film over. Rather than sideline him as a result of him being driven mad because he 'had a god in my head', Selvig becomes welcome relief from earnest and worthy moments threatening to become too overbearing and tipping the plot into farce by taking itself too seriously. Kat Dennings' assistant Darcy Lewis and her 'interns intern Ian Boothby played by Jonathan Howard create very neat comic moments and IT Crowd's Chris O' Dowd as Dr Jane Foster's (still ably played by Natalie Portman) doomed alternative love interest rounds out a very well used set of side characters.

Playing Doctors and Norses: Jane Foster (Natalie Portman) and Thor (Chris Hemsworth) meet up in a pub car park....

Playing Doctors and Norses: Jane Foster (Natalie Portman) and Thor (Chris Hemsworth) meet up in a pub car park….

If I haven’t mentioned the primary cast of Hemsworth, Portman, Hiddleston and Hopkins (and Idris Elba as all-seeing Heimdall) it is because there is little change amongst any of them. They are uniformly great, with only Hopkins seemingly phoning it in a little at the very beginning. They occupy the centre of the plot brilliantly, each fulfilling the potential of the characters well. Hemsworth himself proves himself a generous and humble actor in scenes with others, giving a the god of thunder the depth of storm clouds in quieter moments and allowing other characters to share the limelight in one on one scenes.

It is perhaps the familiarity of the archetypes that causes the film to slightly dip in the centre however. Away from the cast of unusual and offbeat side characters the course the characters take is almost unavoidably predictable. Not boring at any point, and peppered with nice moments which will make you laugh unexpectedly. However, the main tract of the tale take second place to the decidedly enjoyable character moments. When the main plot takes over, it can’t help but become a slightly predictable, if exceptionally well paced and directed, fantasy fare.

Aside from occasional hiccups in the edit the film is littered with curiousities and odd decisions that are later satisfactorily resolved, which highlights how this film isn’t being written by template. It can be argued it under utilises a cast capable of greater emotional depth but it does so in order to remind itself that it is a superhero yarn and one that demands a heavy dose of fun and would suffer from too much hand-wringing. Never the less the relationship between Odin and Thor at loggerheads in the first film as a loving father and son incapable of agreeing on anything is satisfyingly realised here. The writing of a character as unpredictable as Loki leaves you guessing how many bluffs and double bluffs you’re seeing with red herrings subtle and layered as the God of Mischief tries to justify his actions enough to disappoint everyone all over again – a highly enjoyable tight rope walk for a sympathetic character – and one that pays off nicely.

Portman’s involvement draws parallels with the Star Wars franchise and there are touches of Padme Amidala in her appearance, but it is the blend between mythology and science fiction, well realised in this case, that makes Thor: The Dark World the film the Phantom Menace and Clone Wars should have been. The idea that technological advancement creates worlds reminiscent of fantasy epics works because secretly it’s an ideal existence, a comfortable blend between nature, control of physics (advanced science giving rise to magic that utilises great power) and balance. Here, the Marvel universe draws together the ideas that the Star Wars saga failed to and it’s exciting and impressive to behold.

Perhaps most notably for a resident of the denizens of London, it looked (with only one exception) like the city we know well, a refreshing change from interesting global landmarks used as interchangable backdrops for unintelligible action sequences or the foppish, lamp lit London of Richard Curtis romantic comedies. Neither does it rely on overly recognisable landmarks, this film is brave enough to put the action away from the obvious tourist track and for that it deserves credit – though recognisable landmarks to Londoners are used briefly and effectively to raise a smile. Having said that, those with a clear knowledge of the underground will definitely take umbridge with one otherwise well placed London Transport gag. Put simply, without showing the Houses of Parliament, St Paul’s, the O2, The London Eye or Trafalgar Square this film manages to depict a city both recognisable to Londoners and attractive to tourists. Something it’d be good to see in other films.

Enormous ideas are realised with effective visual shorthand and a recurring light touch. Happily, having watched a film that involved alien starships, multiple dimensions and gods the thing I admire most about it, particularly after the seemingly pointless carnage of Star Trek: Into Darkness and Man of Steel, is it’s self control. Thor maintains the Marvel tradition of understanding that devastation doesn’t have to be global, total or even city wide. With effective set pieces the final battle, while grand, is geographically contained (at least while limited to this dimension) but is more engaging as a result.

This an incredibly assured debut to mainstream film making, with the risks that Marvel are taking paying off film after film. If any of you are waiting for Marvel to falter, this film most certainly isn’t it. Based on the trailer of Captain America: Winter Soldier and the now traditional title sequence clips, Marvel isn’t going to slow down anytime soon. Unexpectedly, perhaps, the concern over the end of Downey Jr’s run as Iron Man as a franchise in it’s own right was misplaced, his absence now allowing focus to fall on extremely worthy elements of the Marvel Universe. We say more of this and Marvel will secure its place with one of the finest legacies in movie history.

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Iron Age: The Iron Man 3 Trailer

Hard to know how to follow up Iron Man 1 and 2 and the obvious triumph of Avengers (Assemble). Seems the people over at Marvel Entertainment have a clear idea. Smash everything to bits and start again. Reminiscent of Iron Man’s … um.. tangy.. story a little while back where Hammer and Norman Osborn took everything from him, someone looking suspiciously like Hammer and someone who would no doubt be Norman Osborn if someone else didn’t have Spider-man are taking everything from him…

And Gandhi’s forgotten his oath of non violent protest, found some rings and gone all heavily armoured Sexy Beast. Frankly, I can’t wait!! Great cast and a brilliant premise. The double whammy of two villains in the form of Iron Patriot and the Mandarin has rarely been done well but let’s see what happens here… please, please, please keep it up Marvel.

The Mad Tree – A Ghost Story In Ten Silly Minutes

 

Those of you who follow me on twitter will know that my writing partner, Jim Eaton and I have been working on a new short film over the past couple of months. Well here it is.

The Mad Tree is our homage to the ghost stories of M. R. James, with a little bit of our own silliness plugged in for good measure. It is the story of Mr Darcy Woodwind, a writer from London who falls afoul of a malevolent shrub. No real departure from our usual brand of daftness then.

The film is our latest attempt to inflict ourselves upon the 2 Days Later Horror festival. It’s the 10th anniversary of the event so it’d be really lovely if we get picked for the screening. I shall keep you posted on how things go.

As is often the way the edit was a total pain in the bum and after blowing a firewire port and having to run all over London, searching for someone who could capture the footage, I finally wrapped the edit up at 6AM the following morning. As a reward we’ve taken this week off from writing but we’ll be back into it after the weekend. The subject of the new project…radio. More soon.

As a final side note. It’s worth mentioning that Jack Gavin (who plays the lead role in this film as well as several of our other projects) is getting married today. Our best Bunker wishes to him and his lovely wife-to-be.

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Skyfall: New Trailer and that Olympic moment…

Bond is back – seemingly this time from the death – Mendes at the helm, creepy ass bad guy with a hair colour that doesn’t quite suit him (Javier Bardem, apparently moved on from being a lone pressure gun killer in No Country For Old Men to being MI6’s greatest nemesis to date).

Rumours of the scene, provided by Danny Boyle from excess footage left over from the Olympics, in which the Queen fly kicks a bad guy in the neck at Sandringham, does appear to have been left out of this trailer.

For those who missed it at the Olympic Opening Ceremony (you were one of the 2.3 Billion who missed it, eh?) here’s the quintessential moment in which two icons of the British Empire met for the first time and threw themselves out of a Helicopter….

Bizarro Classic Celebrates the Timelessness of Superman

I’m utterly in love with this little fan film from producer/director Robb Pratt. Utilizing hand drawn animation and an impressive voice cast, Robb and his team have created a beautiful homage to classic cartoons. The fact that the style still comes off as engaging and fun is a testament to both the skill with which it’s been produced and the utterly timeless nature of the Man of Steel. Somebody hire this man to make a series, I would be on that like a shot.

You can watch the first Superman Classic film HERE.

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Total Recall is back (or is it an implant?)

Total Recall is back and the trailer gives almost as much away as the 1990 version. Looks like Paul Verhoeven’s psychedelic pre-Starship Troopers colour scheme is out the air tight window for the standard gun metal grey filter the future’s always in nowadays. And Harold of Harold and Kumar looks like he’s gone up in the world.

As the nation states Euromerica and New Shanghai vie for supremacy, a factory worker (Farrell) begins to suspect that he’s a spy, though he is unaware which side of the fight he’s on. Is it even on Mars?! Aw, Man…

For those of you still pining for the original here’s the 1990 version for you.

Jason Statham The Movie!

 

I’m still recovering from our outing to the 2 Days Laughter film festival, last night. If you follow me on twitter then you’ll already know that we did pretty well but I’m gonna hold off on doing a full write up until the official photos and press release are sent out.

In the meantime, here is a little silly something from The Key of Awesome. Jason Statham has done some pretty crazy action films, but what happens when you combine the plots of all of those movies into one specular Stathamathon? This.

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John Carter from Mars: Proper Trailer

We here at Beyond the Bunker have decided to champion John Carter (alongside other sites such as Ain’t it cool). Somethings going awry here. According to AIC the mysterious story of John Carter of Mars wasn’t offered properly to potential audiences. Effectively a cross genre historical sci-fi epic it’s set a little before the time it was written (namely the late 1800s) on the mystical and mysterious planet of Barsoom (Mars). It’s also a forerunner of all of modern science fiction – bow down you puny mortals – so if it looks like old ideas that’s because this is where it came from. This fan trailer apparently nails it.

John Carter is a western hero employed by the Yankees in the American Civil War when we meet him (yeah -see) as has been revealed by the late arrival of a panic driven 10 minute preview (not seen here) released by Disney when everything appeared to be going south. One thing leads to another and he finds himself on Mars trapped in a conflict between two warring species.

Created by Edgar Rice-Burroughs, John Carter of Mars was serialised as Under the Moons of Mars in the pulp magazine The All-Story from February to July 1912. Disney have released the film to mark it’s centenary. He, and pretty much all of the associated characters also appeared in Alan Moore’s The Extraordinary League of Gentlemen: Volume Two. Disney was trying to bring back a literary classic – and one that inspired Star Wars and it’s like decades before there was anything close to it.

So you mother-loving philistines – get out there and watch it. While the spineless mainstream critics are scavenging around what they see as a blood spattered carcass feedback on a lot of forums are that it’s pretty good. So why not save director Andrew Stanton’s career and go and take a look?

It’s important you understand that I haven’t yet – too broke – but given the chance I’d support what is quite frankly a laudable attempt to bring back an obscure – but never the less important – literary classic of science fiction.

Avengers Vs Friends

 

Lazy Sundays mean silly videos and this is about the silliest thing I’ve seen this week. A group of fans got together and made this alternate intro for Avengers Assemble which re-imagines the movie as certain popular sitcom. The shots of Thor alone make this a must watch.

Have a great weekend guys,

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MIB III trailer: The other Men in Black…

Here it is! It’s the Ghostbusters that didn’t die! If we’re being honest – more fun you can’t have in 1:50 – well not without serious misgivings by anyone else involved. It’s Will Smith being y’know… Will Smith! It’s got aliens in it and one of the best actor playin’ another actor swap ups you are ever likely to see.

That Brolin guy’s come a long way since the Goonies.

The Other Men in Black